From The Ballad of the White Horse

by G.K. Chesterton


Before the gods that made the gods
Had seen their sunrise pass,
The White Horse of the White Horse Vale
Was cut out of the grass.

Before the gods that made the gods
Had drunk at dawn their fill,
The White Horse of the White Horse Vale
Was hoary on the hill.

Age beyond age on British land,
Aeons on aeons gone,
Was peace and war in western hills,
And the White Horse looked on.

For the White Horse knew England
When there was none to know;
He saw the first oar break or bend,
He saw heaven fall and the world end,
O God, how long ago.

For the end of the world was long ago,
And all we dwell to-day
As children of some second birth,
Like a strange people left on earth
After a judgment day.

For the end of the world was long ago,
When the ends of the world waxed free,
When Rome was sunk in a waste of slaves,
And the sun drowned in the sea.

When Caesar's sun fell out of the sky
And whoso hearkened right
Could only hear the plunging
Of the nations in the night.

* * *


In the river island of Athelney,
With the river running past,
In colours of such simple creed
All things sprang at him, sun and weed,
Till the grass grew to be grass indeed
And the tree was a tree at last.

Fearfully plain the flowers grew,
Like the child's book to read,
Or like a friend's face seen in a glass;
He looked; and there Our Lady was,
She stood and stroked the tall live grass
As a man strokes his steed.

Her face was like an open word
When brave men speak and choose,
The very colours of her coat
Were better than good news.

She spoke not, nor turned not,
Nor any sign she cast,
Only she stood up straight and free,
Between the flowers in Athelney,
And the river running past.

One dim ancestral jewel hung
On his ruined armour grey,
He rent and cast it at her feet:
Where, after centuries, with slow feet,
Men came from hall and school and street
And found it where it lay.

"Mother of God," the wanderer said,
"I am but a common king,
Nor will I ask what saints may ask,
To see a secret thing.

"The gates of heaven are fearful gates
Worse than the gates of hell;
Not I would break the splendours barred
Or seek to know the thing they guard,
Which is too good to tell.

"But for this earth most pitiful,
This little land I know,
If that which is for ever is,
Or if our hearts shall break with bliss,
Seeing the stranger go?

"When our last bow is broken, Queen,
And our last javelin cast,
Under some sad, green evening sky,
Holding a ruined cross on high,
Under warm westland grass to lie,
Shall we come home at last?"

And a voice came human but high up,
Like a cottage climbed among
The clouds; or a serf of hut and croft
That sits by his hovel fire as oft,
But hears on his old bare roof aloft
A belfry burst in song.

"The gates of heaven are lightly locked,
We do not guard our gain,
The heaviest hind may easily
Come silently and suddenly
Upon me in a lane.

"And any little maid that walks
In good thoughts apart,
May break the guard of the Three Kings
And see the dear and dreadful things
I hid within my heart.

"The meanest man in grey fields gone
Behind the set of sun,
Heareth between star and other star,
Through the door of the darkness fallen ajar,
The council, eldest of things that are,
The talk of the Three in One.

"The gates of heaven are lightly locked,
We do not guard our gold,
Men may uproot where worlds begin,
Or read the name of the nameless sin;
But if he fail or if he win
To no good man is told.

"The men of the East may spell the stars,
And times and triumphs mark,
But the men signed of the cross of Christ
Go gaily in the dark.

"The men of the East may search the scrolls
For sure fates and fame,
But the men that drink the blood of God
Go singing to their shame.

"The wise men know what wicked things
Are written on the sky,
They trim sad lamps, they touch sad strings,
Hearing the heavy purple wings,
Where the forgotten seraph kings
Still plot how God shall die.

"The wise men know all evil things
Under the twisted trees,
Where the perverse in pleasure pine
And men are weary of green wine
And sick of crimson seas.

"But you and all the kind of Christ
Are ignorant and brave,
And you have wars you hardly win
And souls you hardly save.

"I tell you naught for your comfort,
Yea, naught for your desire,
Save that the sky grows darker yet
And the sea rises higher.

"Night shall be thrice night over you,
And heaven an iron cope.
Do you have joy without a cause,
Yea, faith without a hope?"

* * *


And slowly his hands and thoughtfully
Fell from the lifted lyre,
And the owls moaned from the mighty trees
Till Alfred caught it to his knees
And smote it as in ire.

He heaved the head of the harp on high
And swept the framework barred,
And his stroke had all the rattle and spark
Of horses flying hard.

"When God put man in a garden
He girt him with a sword,
And sent him forth a free knight
That might betray his lord;

"He brake Him and betrayed Him,
And fast and far he fell,
Till you and I may stretch our necks
And burn our beards in hell.

"But though I lie on the floor of the world,
With the seven sins for rods,
I would rather fall with Adam
Than rise with all your gods.

"What have the strong gods given?
Where have the glad gods led?
When Guthrum sits on a hero's throne
And asks if he is dead?

"Sirs, I am but a nameless man,
A rhymester without home,
Yet since I come of the Wessex clay
And carry the cross of Rome,

"I will even answer the mighty earl
That asked of Wessex men
Why they be meek and monkish folk,
And bow to the White Lord's broken yoke;
What sign have we save blood and smoke?
Here is my answer then.

"That on you is fallen the shadow,
And not upon the Name;
That though we scatter and though we fly,
And you hang over us like the sky,
You are more tired of victory,
Than we are tired of shame.

"That though you hunt the Christian man
Like a hare on the hill-side,
The hare has still more heart to run
Than you have heart to ride.

"That though all lances split on you,
All swords be heaved in vain,
We have more lust again to lose
Than you to win again.

"Your lord sits high in the saddle,
A broken-hearted king,
But our king Alfred, lost from fame,
Fallen among foes or bonds of shame,
In I know not what mean trade or name,
Has still some song to sing;

"Our monks go robed in rain and snow,
But the heart of flame therein,
But you go clothed in feasts and flames,
When all is ice within;

"Nor shall all iron dooms make dumb
Men wondering ceaselessly,
If it be not better to fast for joy
Than feast for misery.

"Nor monkish order only
Slides down, as field to fen,
All things achieved and chosen pass,
As the White Horse fades in the grass,
No work of Christian men.

"Ere the sad gods that made your gods
Saw their sad sunrise pass,
The White Horse of the White Horse Vale,
That you have left to darken and fail,
Was cut out of the grass.

"Therefore your end is on you,
Is on you and your kings,
Not for a fire in Ely fen,
Not that your gods are nine or ten,
But because it is only Christian men
Guard even heathen things.

"For our God hath blessed creation,
Calling it good. I know
What spirit with whom you blindly band
Hath blessed destruction with his hand;
Yet by God's death the stars shall stand
And the small apples grow."

* * *

And when the last arrow
Was fitted and was flown,
When the broken shield hung on the breast,
And the hopeless lance was laid in rest,
And the hopeless horn blown,

The King looked up, and what he saw
Was a great light like death,
For Our Lady stood on the standards rent,
As lonely and as innocent
As when between white walls she went
And the lilies of Nazareth.

One instant in a still light
He saw Our Lady then,
Her dress was soft as western sky,
And she was a queen most womanly--
But she was a queen of men.

Over the iron forest
He saw Our Lady stand,
Her eyes were sad withouten art,
And seven swords were in her heart--
But one was in her hand.

Then the last charge went blindly,
And all too lost for fear:
The Danes closed round, a roaring ring,
And twenty clubs rose o'er the King,
Four Danes hewed at him, halloing,
And Ogier of the Stone and Sling
Drove at him with a spear.

But the Danes were wild with laughter,
And the great spear swung wide,
The point stuck to a straggling tree,
And either host cried suddenly,
As Alfred leapt aside.

Short time had shaggy Ogier
To pull his lance in line--
He knew King Alfred's axe on high,
He heard it rushing through the sky,

He cowered beneath it with a cry--
It split him to the spine:
And Alfred sprang over him dead,
And blew the battle sign.

Then bursting all and blasting
Came Christendom like death,
Kicked of such catapults of will,
The staves shiver, the barrels spill,
The waggons waver and crash and kill
The waggoners beneath.

Barriers go backwards, banners rend,
Great shields groan like a gong--
Horses like horns of nightmare
Neigh horribly and long.

Horses ramp high and rock and boil
And break their golden reins,
And slide on carnage clamorously,
Down where the bitter blood doth lie,
Where Ogier went on foot to die,
In the old way of the Danes.

"The high tide!" King Alfred cried.
"The high tide and the turn!
As a tide turns on the tall grey seas,
See how they waver in the trees,
How stray their spears, how knock their knees,
How wild their watchfires burn!

"The Mother of God goes over them,
Walking on wind and flame,
And the storm-cloud drifts from city and dale,
And the White Horse stamps in the White Horse Vale,
And we all shall yet drink Christian ale
In the village of our name.

"The Mother of God goes over them,
On dreadful cherubs borne;
And the psalm is roaring above the rune,
And the Cross goes over the sun and moon,
Endeth the battle of Ethandune
With the blowing of a horn."

* * *

Last week, a few days before the March for Life, I found myself surrounded by a number of my friends, sitting and talking about the pro-life movement. It seems so discouraging these days, that everything we pushed so hard to achieve is being swept away like so many leaves.

In the midst of this my friend Sean stood up. He walked purposefully to the bookshelf and came back with a small, worn book. He opened it and began. It was The Ballad of the White Horse, and it fit perfectly with our own situation. Night is thrice night over us ... and yet, do we have faith without a hope?

So we took turns, reading the parts that inspired us, and this is pretty much what we came up with. I will leave you with the words of another ballad, The Battle of Maldon:

Hige sceal þe heardra, heorteþe cenre,
mod sceal þe mare, þe ure mægen lytlađ.

The mind must be tougher, heart the bolder,
resolve must be greater, as our strength becomes less.

Bright Star! would I were steadfast as thou art

by John Keats

Bright star! would I were steadfast as thou art—
Not in lone splendour hung aloft the night,
And watching, with eternal lids apart,
Like Nature’s patient sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth’s human shores,
Or gazing on the new soft fallen mask
Of snow upon the mountains and the moors—

No—yet still steadfast, still unchangeable,
Pillow’d upon my fair love’s ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever—or else swoon to death.

* * *

I'm starting a series on sonnets today, in the hopes I will post a little more frequently if I have a theme. Also, I have plans for sonnets in the future ... but for now, just take a look at the form. Notice especially the "volta," or turn, where I left a space. This is de rigeur for Italian sonnets. The octave, the first eight lines, presents the subject, and the sestet, the last six, presents a contrast, conflict, or change. Here the contrast is between the pure steadfastness of the star (this purity emphasized by words like "Eremite" (hermit), "priestlike," and "ablution"), and the more fleshly steadfastness the speaker wants to practice. No lone splendor for him! He prefers his lady's bosom -- yet there is a kind of purity in faithfulness as well. Purity is not solely based on the rejection of earthly pleasures, but on utter faithfulness in those called to enjoy them.

I am not quite sure Keats had the same ideas on faithfulness as I. I'll give him the benefit of the doubt. I also don't much like a man saying he's going to "swoon to death" -- it's a bit much! But he was a Romantic, and they do it all the time. (Say they will, not actually do it!)

Altogether, I like this poem. It continues Keats' habit, which I discovered in "The Eve of St. Agnes," of using the repetition of words similar in meaning to emphasize a point. Here it is purity. At the beginning of "Eve of St. Agnes," it is cold. Look it up and see what I mean!